LORIANN SIGNORI

Falling In Love, Loriann Signori, 18 x 21 inches

Lake Morning, Loriann Signori, 8 x 8 inches

Hot Mamas on the Town, Loriann Signori, 19 x 18 inches

I Could Just Break Into Blossom, Loriann Signori, 19 x 22 inches

Loriann Signori, Night Falls Slowly, pastel

A Clutch of Spangles, Loriann Signori, 19 x 18 inches

Hibiscus Lovlies, Loriann Signori, 32 x 39 inches

Night Hibiscus, Loriann Signori, 38 x 31 inches

The Lake Summer, Loriann Signori, 20 x 20 inches

November Lake, Loriann Signori, 6 x 8 inches

Dreaming of Summer, Loriann Signori, 31 x 30 inches

Pink Lake, Loriann Signori, 8 x 8 inches

Soft Lake, Loriann Signori, 10 x 10 inches

The Sky Gushes and Fuses with Light, Loriann Signori, 8 x 8 inches

Loriann Signori, Sunrise Over the River, pastel

Loriann Signori, Rose Love, pastel

Loriann Signori, Prying Open the Cracks, pastel

Loriann Signori, Mesmerized by Hydrangeas, oil on panel

Loriann Signori, Last Roses of Autumn, pastel

Loriann Signori, River Bend in Early Spring, pastel

Loriann Signori, Hydrangeas in Dappled Light, pastel

Loriann Signori, Visual Intelligence, pastel

Loriann Signori, Ginger Breeze Blows, pastel

Loriann Signori, Grateful, pastel

Loriann Signori, Camilias in Golden Light, pastel

Loriann Signori, View Over Queen’s Sound, 8 x 8, pastel

Loriann Signori has been painting for over 40 years. Born in Connecticut, Loriann spent most of her time in the woods and lakes surrounding her home. At about age 10, her love of the landscape ignited her life-long passion for plein air painting. And so the journey began.

‘When I began painting I painted things the way I saw them,” Signori explains, “very recognizable, very realistic, after 10 years I felt there was nothing left to say. I wanted to get more from a painting and I wanted to go deeper.” That is when the journey had direction.

While Loriann still paints outdoors, much of her work relies on her memory. Her goal is not to create a specific place, rather a peaceful radiance, and a glow of light remembered. Later, in the studio, she uses her plethora of small paintings to form new concepts and experiment with color vibration. She says, “It is about having a dialogue with the painting. It talks and I listen.” As time has passed her work is less about the specific and more about the transcendental. While Loriann’s subject is the Mid-Atlantic trees, hills, and sky, her newer work is increasingly, and beguilingly, unnaturalistic and soothing.

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LINDA SCHMIDT

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BRADLEY STEVENS