BILL FARNSWORTH

Bill Farnsworth, Stepping Out, 16 x 20, oil on linen

Bill Farnsworth, Pasture and Wool, 20 x 24, oil on linen SOLD

Bill Farnsworth, Immersed (study), oil on linen

Bill Farnsworth, Valley of the Cross, 16 x 20, oil on linen

Bill Farnsworth, All’s Well, 18 x 24, oil on linen

Bill Farnsworth, A Distant Memory, 20 x 17, oil on canvas

Bill Farnsworth, The Bridge, 10 x 12, oil on linen SOLD

Bill Farnsworth, Getting Lost, 14 x 18, oil on linen

Bill Farnsworth, Heading to the Mountains, 14 x 18, oil on linen

Bill Farnsworth, Hay Bales, 20 x 20, oil on linen

Bill Farnsworth, Cade’s Cove, 8 x 10, oil on linen

Bill Farnsworth, First Snow, 40 x 30, oil on canvas

Bill Farnsworth, The Vow, 12 x 16, oil on linen

Bill Farnsworth, One with the Land, 20 x 20, oil on linen

Bill Farnsworth, Foam and Furry, 14 x 18, oil on linen

Bill Farnsworth, Cottonwoods, 20 x 30, oil on linen

Bill Farnsworth, Intersection, 12 x 16, oil on linen

As a 1980 graduate of The Ringling School of Art and Design, Bill Farnsworth has spent more than 40 years as an Illustrator and Fine Artist. Born in Norwalk Connecticut in 1958, Bill spent most of his life in New Milford Connecticut painting landscapes of the rural area, while supporting himself and family with his growing illustration career. He has told many stories with his paintings that have helped him in the cross over from illustration to Gallery work.

He believes “…that every day life has a story no matter how small and deserves telling if it has the right light. The light is what makes something very special or just forgettable. Cool overcast light can have a beautiful soft edge look, were as sunny warm light can create interesting patterns and color. In order to get this on canvas and convey it's honesty to the viewer, an artist must have the skills of visual language. Having the technical skill will give them the ability to express. If you travel to another country and don't know the language, no one will understand you. This goes for art as well. A painting with bad values, shapes, and edges will not convey to the viewer how the artist feels about the subject. My illustration work over the years has been the best training to put a picture together. Tight deadlines and being asked to paint everything under the sun was a great motivator to be resourceful.”

He credits living in Southwest Florida, the beautiful surrounding and easy lifestyle, as helping him create some of the best art of his life.

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